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Tuesday, 11 November 2008 15:11

SONGS IN THE KEY OF DANCEHALL PAM HALL 1.Moonlight Lover (U Roy stylee) All instruments: Pam Hall Background vocals: Pam Hall Produced and arranged by Errol Wilson & Pam Hall Mixed at One Pop Studio by Rory Baker and Colin ‘Bulby’ York Rhythm tracks laid and voices done at Myrtle’s Place Writers: Lloyd ‘Guitsy’ Willis, P. Hall, E. Wilson Publisher: Sony Music 2 Outa Aada, featuring Nesbeth in intro Drums: Sly Dunbar, Pam Hall Keyboards: Lloyd ‘Obeah’ Denton, Pam Hall Synth bass: Pam Hall Background vocals: Pam Hall Produced and arranged by Errol Wilson & Pam Hall Mixed and voiced at Front Room Studio Mixed by Colin ‘Bulby’ York Writers: Errol Wilson, Pamela Hall Publisher: Virquarian Music Ltd. 3 Broken Hearted Melody ‘Coolie Dance’ loop: Courtesy of Scatta Burrell Additional instruments: Pam Hall Produced and arranged by Errol Wilson & Pam Hall, Scatta Mixed by Leebert ‘Gibby’ Morrison at Front Room Studio. Writers: Hal David, Sherman Edwards Publisher: Mansion Music Corp.

4 Unconditional Luv. Writer: J Hankey Artiste(s) Pam Hall , Sure Shot Producer: J. Hankey for Get Lifted Ent. NYC., K.Charles for Fullmoon Prod. Grenada W.I. Engineer. S. Isiam . Recorded at Reef Studio and Myrtle's Place ( Kin.Ja.) Mixed at: Reef Studio NYC Sure Shott appears courtesy of Get Lifted Ent. Musical Coordinator : Errol ‘Wickedman’ Willo Wilson (Virquarian Music.) 5 Don't know Why Drums: Sly Dunbar, Pam Hall Keyboards: Lloyd ‘Obeah’ Denton, Charmaine Bowman, Pam Hall Synth bass: Pam Hall Produced and arranged by Errol Wilson & Pam Hall Mixed by Colin ‘Bulby’ York at Front Room Studio. Writers: Nora Jones Publisher: Beanly Songs, Sony Music, ATV Music Pub. (BMI) 6 I Still Haven't Found, featuring Lady Saw Drums: Sly Dunbar, Pam Hall Keyboards: Pam Hall Synth bass: Pam Hall Guitar: Leebert ‘Gibby’ Morrison Produced and arranged by Errol Wilson & Pam Hall Mixed by Leebert ‘Gibby’ Morrison Writers: Bono DJ lyrics written by Marion Hall Publisher: Island Music 7 Please Little Angel Drums: Sly Dunbar Keyboards: Robbie Lyn Synth bass: Robbie Lyn Background vocals: Pam Hall Producer: Sly Dunbar Mixed by Sly Dunbar Writers: Carroll Payne, Ashford and Simpson Publisher: Bonzo Music, BMI, Jabba Music 8 Just My Imagination ‘Dude’ rhythm courtesy of Dave Kelly Other instruments: Pam Hall Baby voices: Liu Ayton Mixed at Omega Music by Michael Gayle Produced and arranged by Errol Wilson & Pam Hall Writers: Whitfield, Strong Publisher: Stone Agate Music (BMI) 9 Rain on me All instruments: Pam Hall Background vocals: Pam Hall Produced and arranged by Errol Wilson & Pam Hall Mixed by Leebert ‘Gibby’ Morrison at Front Room Studio. Writers:Burt Bacharach, Hal David, Ashanti, Chris Santana Publisher: Baezo Music LLC, EMI Music, Famous Music Corp, ISJ Music 10 Blessing All instruments: Pam Hall Background vocals: Pam Hall. Tafina Wilson, Myrtle Hall, Sherece Pitters, Yaneika Mason Produced and arranged by Errol Wilson & Pam Hall Mixed at One Pop by Fatta and Rory Baker Writers: adapted with additional chorus by Pamela Hall and Errol Wilson Publisher: Virquarian Music Ltd. 11 Love Is Violin: John Williams All other instruments: Pam Hall Background vocals : Pam Hall Produced and arranged by Errol Wilson & Pam Hall Mixed at Front Room by Leebert ‘Gibby’ Morrison. Writers: Beryl Jackson, Errol Wilson, Pamela Hall Publisher: Virquarian Music Ltd. 12 Papaya All instruments: Leebert ‘Gibby’ Morrison Background vocals: Pam Hall Producer: Leebert ‘Gibby’ Morrison Mixed by Leebert ‘Gibby’ Morrison at Front Room Studio Writers: Leebert Morrison, Pamela Hall Publisher: Virquarian Music Ltd. 13 Touch Me, featuring Frankie Paul All instruments: Dereck Barnett Backing vocals: Pam Hall Voicing, mixing and rhythm done at Kingston Studios Writers: Gamble and Huff Publisher: Warner Chappell Music Producers: Wilson & Hall 14 Willing To Forgive Producers: L Campbell, M. Campbell, E. Wilson, P. Hall Musicians: Joe Frazer All Stars Background vocals: Pam Hall Writers: Baby Face and Daryl Simmonds Publisher: LaFace Music 15 Second that Emotion Guitar: Courtney Panton All other instruments: Ricky Myrie Mixed by Courtney Panton at Kingston Studios Background vocals: P. Hall 16 Just Too Good To Be True All instruments: D. Barnett Drum and bass overdubs: P. Hall Backing vocals: Pam Hall DJ adlibs: Dereck Barnett Mixed by Courtney Panton at Kingston Studios Remixed at Omega Music by Michael Gayle Producers: Wilson and Hall Writers: W. Robinson, S. Robinson, A. Cleveland Publishers: Motown Records Corp., Jobette Music Co. Inc. 17 If You Could Read My Mind All instruments: Courtney Panton Backing vocals: P. Hall Writer: Gordon Lightfoot 18 Moonlight Lover All credits the same as # 1 Songs in the Key of Dancehall is a somewhat exploratory album from the point of view of the number of dancehall rhythms used and how much of the actual music is played by me. The the idea of the combination of dancehall rhythms coupled with strong melodic cover songs came from Errol ‘Willo’ Wilson, my co-producer, co-writer and co-reproducer (smile). We had intended for it to be a purely cover album but a few originals sneaked their way unto the project. The response to the first single, ‘Broken Hearted Melody’ was very powerful, surprising a number of people – radio djs and fellow musicians and many fans who were shocked at the perfect fit of hard core riddim and classic standard. It went on to hit the number one spot on many charts throughout North America with New York and Miami being the premiere ones. Big up Clinton Lindsay, DJ Roy, TK Smith an di teacha, Jeff Sarge. In fact, it was while, doing an impromptu interview with Clinton Lindsay and playing some of the tracks for him and seeing the response of the callers that we really got confirmation that this was a good idea. It was the same response in New York. The current single, ‘Moonlight Lover’/’Outa Aada’ has been doing quite well. By the time you’re reading this there should be a video out. Special thanks to Lloyd ‘Guitsy’ Willis for allowing us to take all kinds of liberties with ‘Moonlight Lover. Nuff big ups and thanks to Skatta Burrel for allowing us to mess with his monster ‘Coolie Dance’ riddim. Nuff respect to Vybes Kartel with his ‘up to di time’. We didn’t know that it was you at the time but we liked how you sounded - one of life’s happy accidents. U Roy, you are one of the great influences of Jamaican music. Raspec! Sly, you are a major rhythmic and personal inspiration. Keep on keeping on. To all a mi engineer bredren dem: Rory, Bulby, Fatta, Gibby, Dwight, Sly, Michael Gayle, Courtney Panton, S. Isiam, Derek Barnett. Please note that the list of engineers contains a number of noted musicians. They did indeed do quite a bit of engineering work on this project. As a matta a fac mi was one a di engineer dem to. I still am completely mystified by the computer. Its like a big monster toy that does all these magical things. I did in fact record musicians, lay riddims and take voices so I guess I’m an engineer of some sort, right?!! Many, many, many thanks to Lloyd ‘Obeah’ Denton, Charmaine Bowman, Sly Dunbar, Robbie Lyn, Scatta Burrell, Dave Kelly, Leebert ‘Gibby’ Morrison, John Williams, Derek Barnett, Courtney Panton, Ricky Myrie, Lloyd Campbell, Jason Sterling, Robbie Drummie Special thanks to Lady Saw (a genuine talent which I recognized long time before she buss. A lang time mi know har, yu kno); Frankie Paul (simply awesome singer/musician/performer); Sure Shot (a yu a di big man!!), Nesbeth, hole tight!! It was a great pleasure having you guys with me on this project. How many artistes can boast of having the unique priviledge of having their mother and daughter singing on a song with them? (Hey Akil, don’t feel left out. You did it for me long ago an we ago do it again). Mommy, Taf, Sherece Pitters and Yaneka Mason, ‘Blessing’ is what it is because of your participation. Thanks a million! Liu Ayton, the budding genius, you did this when you were about one and a half years old and you are only four now but thanks for making my project your debut. The world waits for you, my yout. Reeka, gwaan mash up di school work. Rey Rey, my yout, respect. A you run tings pan di New York ends. Willo, big up every time. A you a di gas inna di engine. gg

 

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